Provenance NoLongerAvailable to the cavernous pain of

to the cavernous pain of estrangement in "Please Don't

the Met Gala

Though he's wounded both physically and psychologically

as well as Diana Ross’ ‘Upside Down’ and ‘I’m Coming Out’ (1980)

Provenance NoLongerAvailable to the cavernous pain ofThere is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Bjrn Meyer, Swedish born and Swiss based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem. For a decade he was a member of Nik Brtschs Ronin, in which